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Muslim Magomayev
RUAZENHE

His chief gift

Voice

A velvet baritone of huge range, operatic training and the warmth of popular song in one voice. Magomayev could both stun with an operatic aria and tenderly sing of love — and all of it was genuine.

His voice is unmistakable: noble, full, with flawless diction and that special sincerity that hushed the hall. Magomayev sang in Russian, Azerbaijani and Italian — and was convincing in every one.

Voice

Opera and the popular stage

Magomayev did not choose between opera and pop — he mastered both. Operatic schooling gave him power and culture of sound; the popular stage gave him a direct path to the hearts of millions.

He was also a composer, writing music including his own songs and film scores. The stage for him was not a job but a way to speak to people about what matters most.

Music as a mother tongue

The golden repertoire

Songs known by heart

Just a few of the dozens of songs without which his voice cannot be imagined.

Queen of Beauty
The singer's calling card (A. Babajanian — A. Gorokhov), 1964 — light, enamoured, eternal.
The Wedding
A stormy anthem of celebration (A. Babajanian — R. Rozhdestvensky), still heard at festivities today.
The Best City on Earth
A song about Moscow with a daring rhythm — briefly frowned upon by officials, but it stayed a hit.
Blue Eternity
"O sea, sea…" — a lyrical song set to Magomayev's own music.
Nocturne
A lyrical summit (A. Babajanian — R. Rozhdestvensky), a true test for the voice.
The Ferris Wheel
Another hit by Babajanian and a poet, full of movement and drive.
The Buchenwald Alarm
With this song (V. Muradeli — A. Sobolev) he won in Helsinki in 1961.
Songs of Baku and homeland
Magomayev always sang in Azerbaijani and about his home city — a tender, separate part of his repertoire.

Voice

The stage as conversation

On stage he did not act but lived: every song was an address to a particular person in the hall. Hence the magic — each listener felt the song was sung to them.

This sincerity cannot be faked, and it is exactly what made his voice dear to millions, far beyond the musical fashions of his time.

Stage, light and the hush of the hall

Authors and years of the songs are sometimes given differently across sources; the commonly accepted facts are used here.